Julien Bismuth Born 1973 in Paris, France lives and works in New York Solo Exhibitions 2023 Uncertain Codes, organized by Julien Bismuth, University of Florida, Gainesville, Florida, United States Beat the Matrix, Simone Subal Gallery, New York, United States 2022 Harlequinades, Galerie GP & N Vallois, Paris, France 2021 Shore Drift!, Galerie Parisa Kind, Frankfurt, Germany Scene, The Box, Los Angeles, CA, United States 2020 Hiaitsiihi, Museu do Arte Moderno, Rio de Janeiro, Brazil 2019 Hiaitsiihi, Curated by Raffaella Sciarretta, Nomas Foundation, Rome, Italy Stücke, Galerie Emanuel Layr, Vienna, Austria 2018 Façade project, The Box, Los Angeles, CA, United States Ideograph, Galerie Parisa Kind, Frankfurt, Germany 2017 Streams, Simone Subal Gallery, New York, NY, United States Sybil Sibyl, curated by Sophie Kaplan, Centre d’art La Criée, Rennes, France 2016 Julien Bismuth, Solomon R. Guggenheim Museum, New York, NY, United States Partition, Galerie GP & N Vallois, Paris, France Zitat, Lira Gallery, Rome, Italy 2015 STEGANOGRAMS, The Box, Los Angeles, United States STENOGRAMS, Galerie Emanuel Layr, Vienna, Austria 2014 An Image as the _______of a surface, Simone Subal Gallery, New York, NY, US 2013 Le Signe Singe, Julien Bismuth/Virginie Yassef, La Ferme Du Buisson, Marne-la Vallée, France Smoke Screen, Layr, Vienna, Austria Perroquet, Galerie Georges-Philippe & Nathalie Vallois, Paris, France Julien Bismuth and Jean-Pascal Flavien, curated by Marie de Brugerolles, LA Existenzial, LACE (Los Angeles Contemporary Exhibitions) Los Angeles, CA Devonian Press, (with Jean-Pascal Flavien), Les Abattoirs, Toulouse, France Mimi Works from the Gensollen Collection: A work by Julien Bismuth, performed by Gregg Goldston/ Eric Wilcox, collectorspace, Istanbul, TK Walks and Talks, Julien Bismuth/Lucas Ajemian, Invisible Exports, New York, NY 2012 Devonian Press, (with Jean-Pascal Flavien), Les Abattoirs, Toulouse, France Catalog, Parisa Kind Gallery, Frankfurt, Germany 131 Bowery, 2nd Floor, New York NY 10002 / info@simonesubal.com / www.simonesubal.com / T: 917-409 0612 Simone Subal Gallery 2011 Notes Towards a Theory of Distraction, Simone Subal Gallery, New York, NY Frustum, Galerie Emanuel Layr, Vienna, Austria The Ventriloquism Aftereffect, Gesellschaft für aktuelle Kunst Bremen , Germany Dialogic, Julien Bismuth/Virginie Yassef, Parcours St Germain at the Hotel Lutetia, Paris, France (FIAC event) 2010 The Golden Ass, The Box, Los Angeles, CA MIMED, The Armory Show, New York, NY, Solo presentation by Layr Wuestenhagen Mind the gap, Shannon Bool and Julien Bismuth, Crac Alsace, Altkirch, France The Error in the Landscape, Bloomberg Space, London, England Les Tristes (with Lucas Ajemian), Invisible Exports, New York, NY 2009 Titled (Untitled), Galerie Parisa Kind, Frankfurt, Germany Les Continents incontinents, Galerie Georges-Philippe & Nathalie Vallois, Paris, France 2008 Unbestimmte Stellen, Layr Wuestenhagen, Vienna, Austria Julien Bismuth, The Box LA, Los Angeles, CA Les lettres tristes (with Lucas Ajemian), Foxy Productions, New York, NY 2007 Monologues for Minerals, 1.1 (Salt Flat / Radio Stück), Galerie Parisa Kind, Frankfurt, Germany 2006 Les Tristes; a particular sequence of varying pitch, tone or stress, (with Lucas Ajemian ), Galerie Parisa Kind, Frankfurt, Germany Marchand d’oubli, with Lucas Ajemian, Galerie Georges-Philippe & Nathalie Vallois, Paris, France Devonian Press: Books and Limited Editions (with Jean-Pascal Flavien), A&M Bookstore, Milan, Italy; Barbara Wien Gallery, Berlin, Germany Selected Group Exhibitions 2024 Lacan, The Exhibition, curated by Marie-Laure Bernadac, Bernard Mercadé, Gérard Wajcman & Paz Corona, Centre Pompidou Metz, Metz, France 2023 Mestre de Obra, Galerie Marli Matsumoto, São Paulo, Brazil Charles, Charles, Charles (Sors de ta reserve! #4), FRAC île-de-France, France 2022 New Space Show , Emanuel Layr, Vienna, Austria Fata Morgana, curated by Béatrice Grosse and Katinka Böck, Musée du Jeu de Paume, Paris, France Stencils, curated by Sébastien Délire, Charleroi, Belgium 2021 Night of Philosophy, curated by Mériam Kouichi, UNESCO, Paris, France 2020 Des Visages, Carré d’Art, Nîmes, France Back to the Future, Galerie GP & N Vallois, Paris, France Is the painting a virtual reality group show? curated by Raffaella Sciaretta, Nomas Foundation, Rome 131 Bowery, 2nd Floor, New York NY 10002 / info@simonesubal.com / www.simonesubal.com / T: 917-409 0612 Simone Subal Gallery 2019 Intet er Stort Intet er Litet (Nothing is Big Nothing is Small), performance at the first edition of Oslo Biennial 2019 – 2020, Oslo, Norway 21+, Kunstraum am Schauplatz, Vienna Jungle Fever, Galerie Georges-Philippe & Nathalie Vallois, Paris 2018 Synonymie Ambiante, FRAC, Marseilles, France Natura Naturas, Mendes Wood, New York, NY Contre-Allees, Galerie Georges-Philippe & Nathalie Vallois, Paris France XIV edición de la Bienal de Cuenca, comissaire: Jesús Fuenmayor et Yucef Merhi, Bolívar 1389 y Estvez de Toral, Cuenca, Ecuador Contre-Allees, Galerie Georges-Philippe & Nathalie Vallois, Paris France 2017 Modus Operandi, Société d’électricité, Brussels, Belgium American Interior, carriage trade, Brooklyn, NY Palais Potemkine, curated by Emile Ouromov in partnership with the Fondation Ricard, National Art Gallery of Sofia, Sofia, Bulgaria Dimensões Variáveis/ Variable Dimensions, curated by Gregory Lang and Inês Grosso, MAAT, Lisbon, Portugal Threads Left Hanging, Veiled in Ink, Emanuel Layr, Vienna, Austria Hotel du Pavot 2, Frac ile de France, Chateau de Rentilly, Bussy-Saint-Martin, France 2016 Variable Dimensions, curated by Gregory Lang, Emily Harvey Foundation, New York, NY Economie de la tension, curated by Emile Ouroumov and Catherine Pavlovic, Centre d’Art Contemporain Parc St. Léger, Pougues-les-Eaux, France Me souwiendra (ou l’usage de la parole), curated by Arlène Berceliot Courtin, Index gallery, Paris, France The Language of Things: Material Hi/Stories from the Collection, curated by Axel Köhne and Luisa Ziaja, Belvedere Museum, Vienna, Austria I will go where I don’t belong, curated by Milovan Farronato and Camille Henrot, Stromboli, Italy L’homme aux cents yeux, curated by Gilles Baume, Plateau-Frac Ile de France, Paris, France Impromptu, The Box, Los Angeles, USA 2015 Very Long Fingers, Simone Subal Gallery, New York, NY Artistes et Architecture, Curated by Gregory Lang, Pavillion de L’Arsenal, Paris, France Alfred Jarry Archipelago: The Waltz of the Puppets — ACT I curated by Keren Detton and Julie Pellegrin, Le Quartier, Quimper, France; La Ferme du Buisson, Noisiel, France; Museo Marino Marini, Florence, Italy Infiltrations, Centre d’Art Bastille, Grenoble, France McGuffin curated by Marie de Brugerolle, Ecole des Beaux Arts, Geneva, Switzerland The Artist is a Mysterious Entertainer curated by Vanessa Desclaux, FRAC Franche Comté, Besançon, France Rideaux / Blinds curated by Marie de Brugerolle, Institut d’Art Contemporain, Villeurbanne, France Theatre of Operations, Theatre de l’usine, Geneva, Switzerland 2014 Unlooped-Kino, Manifesta 10, St. Peteresburg 131 Bowery, 2nd Floor, New York NY 10002 / info@simonesubal.com / www.simonesubal.com / T: 917-409 0612 Simone Subal Gallery Rideaux, curated by Marie de Brugerolle, Institut d’Art Contemporain, Villeurbanne Clear, curated by Aaron Moulton, Gagosian, Losa Angeles Le Rire, curated by Léo GuyDenarcy, Centre d’Art Contemporain du Pays de Lorient, Pont-Scorff Langue des oiseaux et coq à l’âne, curated by Marion Daniel, Frac, Bretagne, France All that falls, curated by Gérard Wajcman and Marie de Brugerolle, Palais de Tokyo, Paris, France Véritable prélude de flasques (pour un chien), curated by Marie Frampier, Maison Populair, Montreuil, 2013 Secret Codes, curated by Agustín Perez Rubio, Galeria Luisa Strina, SãoPaolo Satellite 6: Suite pour exposition(s) et publication(s), curated by Mathieu Copeland, Musée du Jeu de Paume, Paris Goodbye Hello, STUDIOS, Sammlung Lenikus, Vienna La Nuit Blanche, curated by Julien Pellegrin and Chiara Parisi, Paris Domino – Domino Bis, L’église des Courdoniers de Gourdon, France, curated by Martin Michard L’image dans le tapis, Les Ateliers des Arques, Les Arques, France, curated by Olivier Michelon 2012 Parallelwelt Zirkus, Kunsthalle Wien, Vienna, Austria The Poster Show, Galerie Carlier-Gebauer, Berlin, Germany 2011 I was a male Yvonne de Carlo. Critical art can be sophisticated, even entertaining, (with Jean Pascal Flavien), MUSAC, Léon, Spain Mirages, Fountains & Dissociative Composition, Galerie Catherine Bastide, Brussels, Belgium Terminal Jest, Articulture Biennial Arts Festival, DCCC, Delaware One is the Loneliest Number…, ICA Philadelphia, A painting show, Autocenter, Berlin, Germany In back of the real, ISCP, Brooklyn, NY 2010 Monsieur Miroir, 12e Prix Fondation d’entreprise Ricard, Fondation d’entreprise Ricard, Paris, France Une Forme pour toute action. Printemps de Septembre, Toulouse, France Die Grammatik des Buches, Artothek, Munich, Germany Playing the city II, Schirn Kunsthalle, Frankfurt, Germany “Mike, Alec or Rufus?“ (“Tom, Dick or Harry“), Layr Wuestenhagen, Vienna, Austria Solace, Austrian Cultural Forum, New York, NY 2009 Treasures for theatre, La Ferme du Buisson, Noisiel, Marne-la-Vallée, France Anthology, Otero Plassart, Los Angeles, CA 2008 Ne pas jouer avec les choses mortes, Villa Arson, Nice, France SIGNALS, Orange County Museum Art, Newport Beach, CA Comme des betes, L’ours, le cochon, le chat et Cie, Musée des Beaux Artes, Lausanne, Switzerland Anthology, Otero Plassart Gallery, Los Angeles, CA Festival a/d Werf, Utrecht, Holland 131 Bowery, 2nd Floor, New York NY 10002 / info@simonesubal.com / www.simonesubal.com / T: 917-409 0612 Simone Subal Gallery La seconde est partie la première, Musée du Jeu de Paume, Paris, France SOME THING ELSE, Peter Blum Gallery, New York, NY Undone, Renwick Gallery, New York, NY Garage Sale, Galerie Parisa Kind, Frankfurt, Germany 2007 PAWNSHOP, E-Flux, New York, NY Dangling Man, Office Baroque Gallery, Antwerp, Belgium La Boum, Layr Wuestenhagen, Vienna, Austria A point in space is a place for an argument, David Zwirner, New York, NY Welcome to My World, Alexandre Pollazzon, Ltd, London, England 2006 Nice Art, Lahr, Germany 2005 International Laundry, Galerie Parisa Kind, Frankfurt, Germany 1999 Tri-Annuale: Part I, Los Angeles Contemporary Exhibitions, Los Angeles, CA Selected Articles 2023 Paul Stephens, “Julien Bismuth Stereotypes the Universe,” Frieze, February 2022 Gabriele Brandstetter, “NYC Faces,” tanz, September 2020 Davide Daninos, “Julien Bismuth Hiaitsiihi”, Flash Art, February 2019 Beatrice Gross, “Etre aux monde / Etre à la forêt monde”, Journal de Arts, October Marie de Brugerolle, “Post-Performance-Painting”, Mousse, January McKnight-Abrams, Amah-Rose. ‘No theme, no private funding and it lasts five years: inaugural Oslo Biennial opens in Norway’, The Art Newspaper, May 30, 2019 Christian Egger, ‘Opening: Julien Bismuth at Emanuel Layr’, Spike, January 25, 2019. 2017 “L’exposition sibylline de Julien Bismuth”, Ouest France, June 28, 2017 Ellegood, Anne, Looking Forward: Anne Ellegood. Leading curators select stand-out presentations at Frieze New York 2017, Frieze Magazine, April 21, 2017 2015 Sharon Mizota, ‘Julien Bismuth Tinkers with the DNA of his Images at The Box, Los Angeles Times, October 16, 2015 2014 Martha Schwendener, Julien Bismuth: ‘An image as the ______ of a surface’, Art & Design, Art in Review, The New York Times, 01.16.2014, print Andrew Russeth, Julien Bismuth: An image as the _____ of a surface’ at Simone Subal Gallery, On View, The New York Observer, 01.29.2014, print Courtney Fiske, ‘Julien Bismuth’, Artforum.com, 01.29.2014 ‘Julien Bismuth at Simone Subal’, Art in America, 01.30.2014 ‘Julien Bismuth, An image as the _____ of a surface’, Time Out New York, 01.23.2014 2013 Le Signe singe, in Les inrockuptibles, n° 907, du 17 au 24 avril, p.102 131 Bowery, 2nd Floor, New York NY 10002 / info@simonesubal.com / www.simonesubal.com / T: 917-409 0612 Simone Subal Gallery Roxana Azimi, La performance, une nouvelle Experienz, in Quotidien de lʼArt, n°361, 17 avril, pp. 8-9 2012 Anna Soucek, Ö1 online, 03.05.2012 Katharina Fessler, Der Standard, 21.09.2012 Silas Marti, Folha de Sao Paulo, 02.10.2012 2011 Judith Souriau, Julien Bismuth in conversation with Judith Souriau, www.residencyunlimited.org, avril Stefan Tasch, The Gap, Termine Galerien, April Julien Bismuth at GAK Bremen, artnews.org, October 3 Sarah Lehrer-Graiwer, Art Review :, « Julien Bismuth. The Golden Ass », n°48, March, p. 131 (ill.) 2010 Joana Fiduccia, www.artforum.com, « Solace », February (ill.) Julie Pellegrin, Art press 2 « Performances contemporaines 2 », « La performance comme espace d’énonciation », trimestriel n°18, August-September, pp.92-102 (ill.) Nicolas Fourgeaud, Art 21, « Treasures for theatre », n°26, Spring, pp. 61-66 (ill.) Lindsay Pollock, Katya Kazakina, Bloomberg.com, « Fowler’s $7000 geometrics pump collectors at N.Y. Armory Show », March Pascaline Vallée, Mouvement, « L’exposition exposée », janvier-mars, p. 161 (ill.) Eva Komarek, Wirtschaftsblatt.at, « Armory show: Am Hudson klingeln wieder die Kassen », March Jordan Galloway, New York Press, « The Art! It Speaks! », February (ill.) Willa Paskin, BlackBook, « Artists Lucas Ajemian and Julien Bismuth think it’s time you redecorated your kitchen », 26 February (ill.) Emmanuelle Lequeux, Beaux-Arts Magazine, « De la performance à l’exposition », n°307, January, p. 135 (ill.) Mathilde Villeneuve, Mouvement, “Performance de la trace”, January 2009 Timothée Chaillou, Technikart, « Julien Bismuth / Jean-Pascal Flavien », n°hors-série Art contemporain, Autumn, p. 50 (ill.) Patrice Joly, 02 on-line, « Week-end de performances à la Tate modern », February Jen Schwarting, The Brooklyn Rail, « Lucas Ajemian and Julien Bismuth: Les Lettres Tristes », February (ill.) 2008 Manisha Jothady, Die Presse, « Galerien in Wien: Als die Dinge sprechen lernten », March 12 2007 Marie de Brugerolle, Flash Art, „Next to performance“, # 257, Nov-Dec, pp. 88-90 Roberta Smith, The New York Times, “A Point in Space is a Place for an Argument”, July 20 Christoph Schütte, Frankfurter Allgemeine Zeitung, “Scheitern als Chance; Julien Bismuth in der Galerie Parisa Kind”, June 20, p. 46 2006 Santiago Espinosa de los Monteros, Art Nexus, „The Lost Word“, February Léa Bismuth, www.paris-art.com, „Julien Bismuth, Marchand d‘oubli“, November 10 Publications, Made 05, « The Lost Word », n°17, February 131 Bowery, 2nd Floor, New York NY 10002 / info@simonesubal.com / www.simonesubal.com / T: 917-409 0612 Simone Subal Gallery Selected Performances 2018 Paroles, Centre Georges Pompidou, Paris, France Montevideo, Marseille, France While I was also listening to Krysten, LeRoy, Julien, Jennie, Félicia, David, Yann, Luke, Sarah…, Human Resources, Los Angeles, CA 2017 Centre Georges Pompidou, Paris, France Slapdash, curated by Emile Ouromov in partnership with the Fondation Ricard, National Art Gallery of Sofia, Sofia, Bulgaria 2016 Legno, curated by Pier Paolo Pancotto, Villa Medici, Rome Untitled (Signed), curated by Teresa Calonje, Second Home, London, UK Willy Nilly, curated by Gilles Baume, FRAC Le Plateau Ile de France Billy, Performance with Alan Fairbairn and Christophe Marand, curated by Gilles Baume, FRAC Le Plateau Ile de France Untitled (Track), Simone Subal Gallery, New York, NY Untitled (Lisp or Lapse), Emily Harvey Foundation, New York, NY 2015 Untitled (Fill), The Box, Los Angeles, CA Night of Philosophy, curated by Meriam Kouichi, French Institute, New York, NY Per4m, curated by Chris Sharp, Sophie Goltz, and Simone Menegoi, Artissima, Turin, Italy Parcours curated by Florence Dérieux, Art Basel, Basel, Switzerland L Comme Litote, Do Disturb, Palais de Tokyo, Paris, France 2014 Plouf!, (with Jean Pascal Flavien), Palais de Tokyo, Paris, France Rieur, as part of “ L’art chemin faisant… le Rire, un parcours Jaune”, Atelier d’Estienne, Lorient, France 2013 Untited (Mime) from Gensollen Private Collection, Collectorspace, Istanbul, Turkey 2012 Experienz performance of “Mimed” in Brussels, Belgium, curated by Natalie Guoit Exposição, with Helmut Batista and Amilcar Packer, Teatro Ipanema. Rio de Janeiro, Brazil Verbo, curated by Julia Rodrigez, Galeria Vermelho, Brazil Weary Willie, Parallelwelt Zirkus, Kunsthalle Wien, Vienna, Austria Bodies That Matter, Beursschouwburg, Brussels, Belgium 2011 I was a male Yvonne de Carlo. Critical art can be sophisticated, even entertaining, (with Jean Pascal Flavien), MUSAC, Léon, Spain Untitled (Wait), Art Contemporary, Los Angeles In dieser großen Zeit, with Alpar Fendu, GAK Bremen, Germany Fuß fassen, COCO, with Andreas Duscha, Vienna, Austria 2010 Comedy works, Galerie Georges-Philippe & Nathalie Vallois, Paris, France The funniest sculpture in the world, Fondation d’entreprise Ricard, Paris, France The funniest sculpture in the world, FRAC Alsace, Altkirch, France 131 Bowery, 2nd Floor, New York NY 10002 / info@simonesubal.com / www.simonesubal.com / T: 917-409 0612 Simone Subal Gallery 2009 “/“, Kunsthalle Wien project space, Vienna, Austria Plouf!, (with Jean Pascal Flavien), Tate Modern London, UK Écart/Retard, Treasures for theater, La Ferme du Buisson, Noisiel, France Les Continents incontinents, Galerie Georges-Philippe & Nathalie Vallois, Paris, France 2008 Monologues for Minerals (with Giancarlo Vulcano), Festival a/d Werf, Utrecht, Holland Monologues for Minerals (with Giancarlo Vulcano), Musée départemental d‘art contemporain de Rochechouart, Rochechouart, France Monologues for Minerals (with Giancarlo Vulcano), IAC – Institut d‘art contemporain, Villeurbanne, France Monologues for Minerals (with Giancarlo Vulcano), Bétonsalon, Paris, France Monologues for Minerals (with Giancarlo Vulcano), Parasol Unit, London, England Monologues for Minerals (with Giancarlo Vulcano), Karriere Bar, Copenhagen, Denmark L comme litote, Institut d’art contemporain, Villeurbanne, France The funniest sculpture in the world, The Box, Los Angeles, CA 2006 Palme D’Or Television, Frankfurt Art Fair, Frankfurt, Germany (together with Lucas Ajemian, Mike Bouchet, Sebastien Clough, Christian Jankowski and Seth Williamson) Dipshitz, Art Basel Miami Beach, Miami, FL (a collaboration with Palme d’Or) 2005 Announcement (with Jean-Pascal Flavien, Giancarlo Vulcano and The Occasion Band), Confucius Square, New York, NY 2003 Space: A Lecture, Michelle Maccarone Gallery, New York, NY 2000 A Hidden Object (with Jean-Pascal Flavien), Independent Performance Space, Los Angeles, CA Untitled (Whales) (with Jean Pascal Flavien), Independent Performance Space, Los Angeles, CA 1999 Comfort Table (with Mike Bouchet), S.O.S. Gallery, Los Angeles, CA Publications 2023 Qu’à peine des corps, Julien Bismuth and Marco Antonio Gonçalves, Éditions B2, Paris, France (Forthcoming) Uncertain Codes, University of Florida Gainesville, Gainesville, Florida (Forthcoming) 2022 Fata Morgana, edited by Béatrice Gross with Katinka Bock, Musée du Jeu de Paume, Paris, France 2021 Pulcinella Studies, The Box editions, designed by Nemuel DePaula, Los Angeles, CA 2019 Stücke, Galerie Emanuel Layr, Vienna Speaking and Listening, Shelter, Centre d’Art la Criée, Rennes Estructuras Vivientes, Cuenca Biennial 2018, ed. by Jesus Fuenmayor, Cuenca 131 Bowery, 2nd Floor, New York NY 10002 / info@simonesubal.com / www.simonesubal.com / T: 917-409 0612 Simone Subal Gallery Biennial, Buenca 2017 Palais Potemkine, ed. Emile Ouromov, Paris: Fondation d’entreprise Ricard 2014 Pages Deux, ed. Motto Distribution, Berlin Pages, ed. Motto Distribution, Berlin a cover to cover, ed. Motto Distribution, Berlin Devonian Press, ed. Musée des Abattoirs, Toulouse 2013 Devonian Press, Musée des Abattoirs, Toulouse 2012 I was a Male Yvonne de Carlo, exhibition catalogue, edited by Marie de Brugerolles and Dora Garcia, MUSAC, Léon, Spain The Circus as Parallel Universe, exhibition catalog, Kunsthalle Wien, Austria XOXO, Sabine Müller (Ed.), Royal Collage of Art, London Fragmentation 04, Artist’s book insert, curated by Necmi Sönmez, edited by Mine Haydaroğlu, published in Sanat Dunyamiz, Issue 131 2010 Monsieur Miroir, 12e Prix Fondation d’entreprise Ricard, commissaire : Émilie Renard, Editions Fondation d’entreprise Ricard, Paris, pp. 10-15 Une Forme pour toute action, Le Printemps de Septembre Toulouse, France, pp. 130 ; 142 Ne pas jouer avec des choses mortes, catalogue d’exposition, Villa Arson, Nice, Ed. Les Presses du reel Julien Bismuth, a conversation with Sophie Kaplan, Journal de l’exposition Mind The Gap, CRAC Alsace, Altkirch, France, pp. 1-7 (ill.) 2008 Comme des bêtes, Musée cantonal des Beaux-Arts, Lausanne, 5 Continents Editions, Milan Artist’s writings and Publications 2020 “The Habit of Error”, Spike, September “Pantanal”, Spike, September “Pulcinella”, The Art Newspaper (Ed. française), juillet “The language forest”, Purple Magazine, Issue 33 2016 “The real world of hoists and holes,” Jason Rhoades: PeaRoeFoam, David Zwirner Books “Gus the polar bear,” Memoire Universelle, edited by Béatrice Grosse and Benoît Bethune 2013 Julien Bismuth, Pages, Motto Distribution, Berlin Julien Bismuth, A cover to cover, Motto Destribution, Berlin Toba Khedoori, Published by David Zwirner / Radius Books ‘JulienBismuth & Loreto Martinez Troncoso’, Choreographing Exhibitions, (Ed) Mathieu Copeland, Julie Pellegrin, Les Presses du Réel ’Julien Bismuth’, Playing the City Interview, (Hg./Ed.) Matthias Ulrich, Sternberg Press 131 Bowery, 2nd Floor, New York NY 10002 / info@simonesubal.com / www.simonesubal.com / T: 917-409 0612 Simone Subal Gallery 2012 Artist’s Annual, « Toba Khedoori », « Tony Conrad », « Matt Mullican »,Paris Drawing by design: on a recent exhibition of works by Toba Khedoori, Toba Khedoori, David Zwirner Gallery 2010 The error in the landscape, Devonian Press “Portrait de l’artiste en jeune objet”, in catalogue Ne pas jouer avec des choses mortes, Villa Arson, Nice, Ed. Les Presses du réel, pp. 92-94 2008 “L’Éléphant de Troie”, in catalogue Virginie Yassef. La seconde est partie la première, Ed. Jeu de Paume, Paris, pp. 41-49 2006 “Mike Bouchet: Celebrity Artist” in Der Soziographische Blick, Kunstraum Innsbruck, Innsbruck “Christopher Williams : Eighteen Lessons.” in Parachute Vol. 120, Spring “Staged Cryptographies” in Guy de Cointet: a retrospective. Ed. Marie de Brugerolles. Presses du Réel, Genève …, Devonian Press, Rio de Janeiro “Starts and Stops” (together with Jean-Pascal Flavien), Devonian Press, Rio de Janeiro “No Drama House” (together with Jean-Pascal Flavien), Devonian Press, Rio de Janeiro “Announcement” (together with Jean-Pascal Flavien and Giancarlo Vulcano), Devonian Press, Rio de Janeiro “Flotsam and Jetsam”, Devonian Press, Rio de Janeiro 2005 “John Baldessari,“ in Beaux-Arts, no. 256, Oct “The Paintings of Richard Jackson”, in Richard Jackson, Nye House Editions, New York “Steve Mc Queen”, in Parachute, vol. 119, autumn “A Hold!”, Devonian Press, Rio de Janeiro “The world before time”, (together with Jean-Pascal Flavien), Devonian Press, Rio de Janeiro “The time before the world” (together with Jean-Pascal Flavien), Devonian Press, Rio de Janeiro “Nuit Blanche 2004”, (textes) Ami Barak et Fanny Etienne, éd. Paris Musées, pp. 26, 60 2004 “Untitled (Five Easy Pieces).” in catalogue Palme D’Or, New York “Who’s that Guy?”, in Parachute, vol. 117, autumn 2003 “Tract”, revista MU, Vol.5 “Buoy Script”, Third Street, Vol.10 “The Interrupted Hunt: Dante’s On the Eloquence of the Vernacular”, Ampersand (http://www.nyu.edu/ pubs/ampersand/html) Vol. 1 2001 “Costner Complex”, in Costner Complex: an exhibition by Jason Rhoades, Portikus, Frankfurt Residencies, Fellowships and Awards 131 Bowery, 2nd Floor, New York NY 10002 / info@simonesubal.com / www.simonesubal.com / T: 917-409 0612 Simone Subal Gallery 2015 Fondation des Arts Graphiques et Plastiques, Paris, France 2013 Résidence Atelier les Arques, France 2012 Peter S.Reed Foundation Artist’s Grant, Ohio Capacete, Rio de Janeiro, Brasil 2011 Artist’s Book, Paris, France 2010 Transfer, Mülheim, Germany 2003-2005 Kahler Grant, Princeton University 2001-2005 Graduate School Summer Stipend for Research Abroad, Princeton University 1999 Los Angeles Contemporary Exhibitions 1994 Foundation for Art Ressource Art, Los Angeles 1993 Visual Arts Department Award, UCLA 1991-1994 National Merit Scholarship Public Collections Artotheque du Lot, Cahors, France Autriche Serralvés Foundation, Porto, Portugal Belvedere Museum, Vienna, Austria FNAC, Paris, France Frac Ile-de-France, Paris, France Guggenheim Museum, New York, USA Jumex Collection, Mexico City, Mexico Les Abattoirs, Toulouse, France 131 Bowery, 2nd Floor, New York NY 10002 / info@simonesubal.com / www.simonesubal.com / T: 917-409 0612
- #16 (no title)
- A thought
- A while
- Abîmes
- An image as a surface …
- An image as the … of a surface
- Bank Shot
- Beat the matrix
- Bild
- Billy
- Bricole
- Collages
- CV
- Dub
- Flagitaret tandem remoto linteo ostendi
- Idiograph
- In dieser großen Zeit
- L comme litote
- La variation continue
- Le signe singe
- Mime works
- Monologues for Minerals
- or flutes
- Parrot
- Patterns
- Perroquet
- Pierre Bismuth
- Pli/Ply
- Plouf!
- Pulcinella Series
- Repli/ Reply
- See Me Sea
- Sibyl Sybil
- Sibyl Sybil
- Steganograms
- Stenograms
- Stillleben
- Streams
- The error in the landscape
- The funniest saddest sculpture in the world
- The funniest sculpture in the world
- Untitled (Moving Image)
- Untitled (Wait)
- we are barely bodies
- Weary Willie
- When I read, I hear, and I’m no longer here
- Willy Billy
- Willy Nilly
- Writing performances
- Writings